Download PDF by G. M. Kirkwood: A Study of Sophoclean Drama

By G. M. Kirkwood

The reader will locate in bankruptcy I an outline of the association and goal of this booklet. right here i want in simple terms say a couple of phrases of clarification and discharge the friendly and critical accountability of acknowledging help.
The ebook is especially a philological learn of yes elements of Sophocles’ performs and is intended for the eye of these who're themselves engaged within the examine of the performs. yet because, except the bankruptcy on diction, i've got often given quotations in translation, the e-book can be usable by means of those that learn Sophocles in translation purely. My line references and quotations stick to the Oxford Classical textual content of A. C. Pearson.

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355 (Talent und Aussage [1951]). Friedrich Wolf denkt vor allem an Jean Anouilh (vgl. 1). a. Sartre und Adamov zu nennen, mit Abstrichen auch der späte Ionesco. GI 1, S. 47 (Einen historischen Stoff sauber abschildern, das kann ich nicht [1976]). Ihering: Theater der produktiven Widersprüche, S. 91 (Die ersten Begegnungen [1947]). Zu Einschränkungen durch Direktiven der Alliierten vgl. 3. Thiess: Geistige Revolution (1947), S. 49. Ruppel: Geisteswandel im modernen Spielplan (1946), S. 63. Stobbe: Europäisches Theater – deutsche Situation (1947/48), S.

Vgl. Wehdeking (1973), S. 517. Vgl. PT, S. 266 (Erwin Piscator über Theater [1956]). Vgl. Hüfner (1968), S. 151f. und Heller (1975), S. 93-101. Vgl. Darmstädter Gespräch »Theater« (1955), S. 250. Fischer-Lichte (1993a), S. 410, 413f. Die Autorin datiert diesen Prozeß auf die sechziger Jahre (vgl. ). Asmodi: Der Autor an seinen Verleger (1961), S. 98. Einleitung 16 _______________________________________________________________________________________________________________________________________________________________ sierung neuer Modelle wirkt progressiv (Heiner Müller), sondern auch die Hypertrophie der alten (Herbert Asmodi, Reinhold Schneider).

2 und Haase (1986), S. 72. Vgl. a. Trommler (1970), S. , 14; Vormweg (1981), Titel, passim; Lange (1982), S. ; Berg (1986), S. ; Barner (1987b), S. 38 und Kurz (1988), S. 310f. Schäfer (1977), S. 96. , S. 112. Ähnlich argumentiert Trommler (1984), S. 10. 1). 1). In dem Sammelband Modern Times? wird die Schäfer-These ebenfalls wiederaufgegriffen (393), wobei die Herausgeber die ›Restaurationsepoche‹ um fünf Jahre vorverlegen, was die Argumentation kaum überzeugender macht, zumal Beiträge zum deutschsprachigen Drama und Theater fehlen.

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